Brooklyn Studios for Dance // $5 // An open-level class facilitated by Tatyana Tenenbaum, Laurel Snyder, Emily Moore, Marisa Clementi, Ashely Handel and Li Cata. In this work we use our proprioceptive awareness to access our voices.  How do the mechanisms of the voice function as part of a larger muscular-skeletal form?  Through a series of intertwining exercises and methodologies we will investigate aspects of vocalization that include pitch, timbre and phonemic resonance, as felt experiences .  We will apply this…

How do the mechanics of my voice relate to a larger, muscular-skeletal form? We will investigate pitch, timbre and phonemic resonance as felt experiences, bringing this awareness to small, interactive scores that allow us to harness musical relationships as newly embodied material. No experience with the voice is required.

How do the mechanics of my voice relate to a larger, muscular-skeletal form? We will investigate pitch, timbre and phonemic resonance as felt experiences, bringing this awareness to small, interactive scores that allow us to harness musical relationships as newly embodied material. No experience with the voice is required.

I’ll be teaching workshops at this lovely weekend festival — along with Esther Baker-Tarpaga, Candida Borges, Daniel Bear Davis, Krista DeNio, Debra Disbrow, Conrado Falbo, Maré Hieronimus, Martín Lanz Landázuri & Arely Pérez Landeros, Abigail Levine, Odeya Nini, Isadora Paz Taboada, Kensaku Shinohara, Petra van Noort and Sarah Young. Moving Arts Lab 2017: a festival meeting ground for interdisciplinary exploration Facilitated by Peter Sciscioli Programming category: Workshops & Trainings Register Here! July 20, 2017 – 5:00pm – July 23, 2017 – 3:00pm Come investigate and experience the…

The Sounding Body: “Gills and Bellows” Wednesdays March 21, 28 and April 4 More info… Single Workshop drop-in $30 / 3-week series $65 Register This workshop is for the physically attuned, sonically curious artist from any discipline. The practice has emerged over the past decade as a response to sensorial disconnects—between felt experiences of sound/music, and that of “movement.” Influenced by Emilie Conrad’s philosophical writing on paralysis and fluid resonance, this workshop aims to integrate the voice into a new,…

The Sounding Body: “Gills and Bellows” Wednesdays March 21, 28 and April 4 More info… Single Workshop drop-in $30 / 3-week series $65 Register This workshop is for the physically attuned, sonically curious artist from any discipline. The practice has emerged over the past decade as a response to sensorial disconnects—between felt experiences of sound/music, and that of “movement.” Influenced by Emilie Conrad’s philosophical writing on paralysis and fluid resonance, this workshop aims to integrate the voice into a new,…

The Sounding Body: “Gills and Bellows” Wednesdays March 21, 28 and April 4 More info… Single Workshop drop-in $30 / 3-week series $65 Register This workshop is for the physically attuned, sonically curious artist from any discipline. The practice has emerged over the past decade as a response to sensorial disconnects—between felt experiences of sound/music, and that of “movement.” Influenced by Emilie Conrad’s philosophical writing on paralysis and fluid resonance, this workshop aims to integrate the voice into a new,…